Fiora Murano Glass Tube Chandelier

I · The form

Why tubes.

Most Murano fixtures compose themselves from small units — teardrops, petals, discs, spheres. The Fiora does something different: it composes itself from long vertical tubes, each individually hand-blown, hung around a central frame in a precise radial arrangement. What you see from below is not a cascade of small elements but an architectural formation — a colonnade of glass, suspended in air.

This changes how the fixture reads in the room. Smaller-unit chandeliers feel decorative, layered, romantic. A tube chandelier reads as sculpture — closer in visual language to a Donald Judd installation than to a traditional lighting fixture. The verticality is deliberate. The Fiora sits in modern rooms the way a modern room wants a chandelier to sit: as an object with its own presence, not as an accessory to the ceiling.

II · The tones

Two colours. Two rooms.

Yellow — Modern Warm

Modern Italian · Contemporary · Hospitality

A confident golden-yellow — not pale, not amber, but the kind of saturated colour that shows up in Milanese design of the last twenty years and in the interiors of restaurants that take themselves seriously. Under warm bulbs, it reads as golden light; against neutral walls, it becomes the room's centre of gravity. Belongs in Modern Italian dining rooms, contemporary loft spaces, and hospitality projects where the fixture is expected to make an announcement.

Blue — Ocean Cool

Modern Contemporary · Coastal Modern · Editorial

A deeper, more architectural blue than pale coastal-blue palettes typically use — closer to Yves Klein's cobalt than to sea-glass. Reads as considered rather than easy. Belongs in contemporary modernist interiors, in coastal-modern homes that want to escape the beach-house cliché, and in editorial-styled rooms where the fixture is chosen for the specific colour it brings rather than for what it matches.

III · The scale

Built at statement scale.

The Fiora is produced in a single size — 25.6 inches in diameter, 29.5 inches in height. The proportion is deliberate: substantial enough to work as the central architectural moment in a modern dining room, entry foyer, or hospitality space; large enough for double-height loft spaces when a longer chain is specified. This is not an accent fixture. The Fiora is the statement.

Standard chain length is adjustable — for double-height loft spaces, staircase installations, or vaulted rooms, custom longer chain lengths are available at no extra charge for reasonable extensions. Write to service@stuberlighting.com with your ceiling-to-floor and desired hanging height before ordering.

IV · The craft

Considered, throughout.

Bulbs included.

Unlike much of the tube-chandelier category, the Fiora ships with its complete set of E14 warm-white LED bulbs. 2700K warm-white is chosen deliberately: it's the temperature at which the yellow glass reads as gold rather than acid-yellow, and at which the blue glass reads as depth rather than as flatly-lit cobalt. Fully dimmable-compatible with dimmable E14 LEDs and a triac wall dimmer — Edison-style bulbs are also compatible for a warmer, more vintage-industrial reading.

Nickel, not gold.

The polished nickel frame is a deliberate design decision — cooler-toned and more architectural than gold, letting the saturated glass be the visual event. Nickel is also the finish choice of Italian architectural lighting since the mid-century; it belongs to the same visual vocabulary the Fiora is speaking. The frame is electroplated for durability and softens with age rather than showing plating wear.

Adjustable chain.

Standard adjustable drop chain. Custom lengths available at no extra charge for reasonable extensions — particularly useful for loft ceilings, double-height foyers, or staircase installations. Write to service@stuberlighting.com before ordering with your ceiling-to-floor measurement and desired hanging height.

Individual variation.

Each glass tube is hand-blown, one at a time — subtle variations in diameter, wall thickness, and colour saturation remain by design. Your Fiora will be subtly different from photographs and from every other Fiora produced. This is the material's signature; machine-pressed uniformity would signal a different production method entirely.

V · Where it belongs

Rooms that ask for scale.